Frightened Rabbit - Winter of Mixed Drinks / Live Paradiso April 11th, 2009

What can you do after playing a show at 5:30: you can watch a film or call your mom. Plenty of jokes by Scott Hutchison concerning the early time of the concert in Paradiso’s upstairs room. At least, as he said, the curtains where shut so it was still dark. It’s not a very rock and roll time of day, but that’s what you get with a full Paradiso, at least they didn’t play in Bitterzoet. If the early time was also the reason why it was not completely full… it could be.

Though already having released 2 albums prior to their breakthrough “Winter of Mixed Drinks” this was the first time for the Scottish band in Amsterdam. “WoMD” is getting great reviews and rightly so. Frightened Rabbit have a similar sound to fellow Scotsmen We Were Promised Jetpack and the Twilight Sad. Atmospheric guitar music that is typified by almost minimalist use of chords. One chord would be played for quite a few bars before changing to a different chord. To these chords are then added layers of sound using guitars, keyboards and a score of pedals. Out of this wall of sound then comes the Scottish drawl of Hutchinson. The guitars all sound great and they did as well live. “Winter of Mixed Drinks” has a few highlights, some of which are the excellent singles ‘Swim Until You Can’t See Land’ and ‘Nothing Like You’ or ‘Living in Colour’ as part of the encore. Impressive was the first song of the encore where Hutchinson sung a song with just acoustic guitar, without the aid of amps and microphones. It was also the only song where the vocals were clear, in the other songs his voice got muddled and his at times great lyrics were unfortunately not heard.

While not yet having reached the elaborate soundscaping genius of the Twilight Sad or the great songwriting of We Were Promised Jetpacks their album will turn up in some end-of-the-year lists and their next show in Amsterdam definitely won’t be at 5:30 on a Sunday in a small room in Amsterdam but a bigger venue with people standing outside trying to get a ticket from someone because it’s sold out.

Everything With Little

Blood Red Shoes in Paradiso, Amsterdam on March 17th, 2009

According to drummer Steven Ansell the Paradiso show was the biggest they ever headlined. Touring in support of their new album “Fire Like This” the show was loud, tight and energetic. Warm-up act “Pulled Apart By Horses” was fitting and at times I wondered if this was how Nirvana sounded about 20 years ago in this same venue.

Blood Red Shoes have perfected the art of doing everything with the bare minimum. It’s not a band you go to watch amazing musical ability. Laura-Mary Carter’s guitar playing is simple: easy riffs and chords that most accomplished players will be able to play, but she plays them loud, she plays them tight and she plays them well. No Springtime guitar unfortunately, that would have been a real treat. Steven Ansell uses his drumkit entirely to give the music something extra. You never miss any other instrument with both getting everything out of their instruments. They are not the best singers, in fact the singing doesn’t really add anything, but they sing anthems that people can anticipate, jump around on and sing along. Their mix of grunge and punk rock doesn’t sound very English but their unique setup allows them to have an own style that might not be very inventive, but very effective as a live band.

A few times both mentioned how much fun they were having and the crowd seemed to enjoy it as much as the band. Dozens of people jumped off the stage into the audience to be carried far into the room. At times you could see more people looking at the surfers than the band.
After the show ended Ansell decided to top his great night out with a jump into the audience and was carried all the way to the end, followed a few minutes later by Laura-Mary. It seemed a fitting tribute to the sometimes crazy crowdsurfers.

These New Puritans - Hidden

Maddening, mindboggling and absolutely brilliant.
These New Puritans first album “Beat Pyramid” was a fine record which I played quite a few times. With their second album “Hidden” they have gone far beyond their debut. Far beyond anything released this year in fact. It’s not an easy album, in fact it is still driving me crazy while I write this. An moviescore opening followed by a collection of songs that all are related to war. This war is an all-encompassing war, a war of words, a war or worlds, an attack on the mind and this is the soundtrack. War has no logic, and “Hidden” has no logic. Beats that are like bombs, sometimes leveling an entire city, sometimes just severing a toe. Music that goes from attack music to classical interludes, or the crazy person in his own jazz world (“Hologram”), not knowing what is going on around him. It’s a 21st century post-modern album for a 21st century post-modern war where you are not exactly sure who the enemy is, what the cause is and what you are fighting with. From bombs to swords to words, everything is used to the same effect. An album for lovers of classical music, 80’s industrial rave and 90’s hip-hop. Even Phillip Glass chord changes can be heard. “Hidden” is maddening, chaotic, mindboggling but absolutely brilliant album. This will definitely end up on a lot of end-of-the-year lists.