No Fluffy Bunnies, These New Puritans in Bitterzoet April 28th, 2010

That Bitterzoet wasn’t even sold out for These New Puritans is beyond me. But then again confusion and uneasiness seem to be an emotions linked to TNP like feeling nothing is to let’s say… Matchbox 20.

Touring to support their fabulous ‘Hidden’ album the foursome left an impression that will not be forgotten easily. If it was a great show? I couldn’t honestly tell you. Depends on what your definition of a great show is. If a concert is supposed to make you feel more happy afterwards than they failed miserably, if a concert is supposed to evoke strong emotions than they passed with flying colors and it will easily be one of the best shows of the year so far.

My biggest question beforehand was how they would recreate the sounds and atmosphere of the album and most of all the beats. With one tight drummer and one smashing drums half of the time while working samplers at the same time this was no problem. Battery songs is what frontman Jack Barnett calls them and ‘Attack Music’, ‘Three Thousand’ and ‘Drum Courts’ made you feel like you were at one time back in the late 70’s at a Joy Division concert but at the same time in that dancing scene from the Matrix movies. Keyboard player Sophie Sleigh-Johnson’s never changing facial expression definitely added to a more gothlike atmosphere. A band playing this tight is a sight to behold and summons up memories of Battles and Shellac. The amount of improvisation is something I did not expect at all. Loops with last longer or shorter, the guitar sounds was different but it all came together.

Barnett was at most times inaudible, due in part to huge echo on his microphone. If you didn’t know what the album was about you could still feel that it wasn’t about daisies and fluffy bunnies but about something more serious. Confusion was only added when Barnett kept saying it was the last song for about 5 songs.

War is serious but will also leave you with scars for the rest of your life. TNP is serious and it will leave a scar for a very long time.

Titus Andronicus - The Monitor

War seems to be good subject for albums this year. These New Puritans already made a unique album with ‘Hidden’, a vibrant collection of interlocking songs about war and interspersed with the sound of a sword going in or out of a sheath. It was also a big step up from an already great debut album. Much of the same can be said about Titus Andronicus’ second album ‘The Monitor’, a collection of songs about the American Civil War woven together with bits of spoken word quotes. Both albums are two of the best of the year so far but that’s where the comparison ends.

If there is one word to describe TA’s stance towards war it’s confusion: how war makes everything black and white, us versus them, the devil versus the Lord. War brings forth the same confusion as alcohol, the second theme of the album. The listener is being pushed into another time and place before returning to a basement of a Garden State with the help of alcohol, as in a weird musical version of Slaughterhouse 5. This time traveler also travels between songs, appearing in the guest-star heavy ‘To Old Friends and New’ where he lectures us on the morality of war and religion. He’s chased around by the enemy who is everywhere on the album, like he is everywhere in war.

TA’s music has much less musical depth than TNP. Their style is almost shoddy punkrock that on this album has drifted more into the field of singer/songwriters. Think of Conor Oberst, the early years, with a rougher edge. Especially ‘Richard II’ and ‘A Pot in which to Piss’ could have easily been on a Bright Eyes record. The Conor Oberst sound at times sounds too obvious, but at least they copied someone worth copying. A big departure from their usual music is the almost nine minute song ‘Four Score and Seven’, a shouted ballad complete with bagpipes that if played a faster would be a good Pogues or Dropkick Murphys song.

From a band who’s named after a Shakespeare play you can really only expect smart songs and the Monitor is exactly that. It’s like an episode of Family Guy: if you know a lot of movies you will constantly see references. On ‘The Monitor’ TA refers to authors like Camus, Whitman, names Civil War sites and literally quotes songwriters like Billy Bragg and Bruce Springsteen. The Boss is quoted in the opener ‘A More Perfect Union’ in which they make no big deal about being from New Jersey as well. He’s also name checked in the closer ‘Battle of Hampton Roads’ which clocks in at 14 minutes. If there is one bad thing to say about the album it is that is about 14 minutes too long. But you have to listen to the album in it’s entirety to grasp the whole concept.

Titus Andronicus have catapulted themselves to the upper echelons of American indie rock with “The Monitor”. 2010 is a great year for music so far in my humble opinion. In May they will play in Amsterdam, a double bill with another new great band Surfer Blood (reviewed before). Could be a legendary show…

These New Puritans - Hidden

Maddening, mindboggling and absolutely brilliant.
These New Puritans first album “Beat Pyramid” was a fine record which I played quite a few times. With their second album “Hidden” they have gone far beyond their debut. Far beyond anything released this year in fact. It’s not an easy album, in fact it is still driving me crazy while I write this. An moviescore opening followed by a collection of songs that all are related to war. This war is an all-encompassing war, a war of words, a war or worlds, an attack on the mind and this is the soundtrack. War has no logic, and “Hidden” has no logic. Beats that are like bombs, sometimes leveling an entire city, sometimes just severing a toe. Music that goes from attack music to classical interludes, or the crazy person in his own jazz world (“Hologram”), not knowing what is going on around him. It’s a 21st century post-modern album for a 21st century post-modern war where you are not exactly sure who the enemy is, what the cause is and what you are fighting with. From bombs to swords to words, everything is used to the same effect. An album for lovers of classical music, 80’s industrial rave and 90’s hip-hop. Even Phillip Glass chord changes can be heard. “Hidden” is maddening, chaotic, mindboggling but absolutely brilliant album. This will definitely end up on a lot of end-of-the-year lists.